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On Display: Visual Politics, Material Culture, and Education
von: Karin Priem, Kerstin te Heesen
Waxmann Verlag GmbH, 2016
ISBN: 9783830984696 , 210 Seiten
Format: PDF
Kopierschutz: frei
Preis: 30,99 EUR
Book Cover
1
Acknowledgments
5
Contents
7
On Display: Visual Politics, Material Culture and Education (Karin Priem and Kerstin te Heesen)
9
Icon, Allegory, Catastrophe: Three Modes of Articulation within 21st Century Public Culture (Robert Hariman)
17
Displaying Things: Perspectives from Cultural Anthropology (Gudrun M. König)
35
Topographies of Meaning
36
Lessons of Power: The Objects
37
From Zone of Display to Zone of Signifi cation
39
The Circulation of Exhibits and Knowledge
41
Summary: Assemblies of Things
43
Bibliography
43
Facts for Babies: Visual Experiments at the Intersection of Art, Science, and Consumerism in Education (Karin Priem)
47
Introduction
47
The First Picture Book: Facts on Display?
50
Encounters of Art and Science: New Ways of Seeing in Progressive Education
56
Why Does Photography Matter? Normative Implications of Facts
59
Conclusion: The Invention of the Future at the Intersection of Consumerism, Art, Science and Education
65
Bibliography
66
On “Casseroles” and Cobblestones: Approaches to the Material Culture of Public Protest (Jan C. Watzlawik)
69
I. Consumption as Protest: A Practice of Everyday Life
70
II. Commerce as Protest: A Revolution of Everyday Life
73
Bibliography
78
The Family of Man on the Road to Clervaux: From Temporary American Installation to Permanent Site of World Memory (Eric J. Sandeen)
83
From the Madonna lactans to The Family of Man: Tracing a Visual Frame of Reference Through History (Kerstin te Heesen)
99
A Few Words on Methodology
101
The Depiction of Breastfeeding in The Family of Man
103
The Depiction of Breastfeeding as a Timeless Topic
107
Conclusion – An Enduring Cultural Frame of Reference
117
Bibliography
122
The Politics of Photography: The Family of Man and the Museum of Modern Art’s War Program (Kristen Gresh)
127
Hot Spots in the Cold War: Scripts, Visual Agendas, and Relocated Narratives in Cold War Photography (Æsa Sigurjónsdóttir)
145
Background
147
Relocated Narratives
149
Scripts and Visual Agendas
151
Werner Bischof in Sardinia and Iceland
155
Ernst Haas in Matera
159
Images in Their Own Time
160
List of Abbreviations and Acronyms
165
Bibliography
165
Work in Progress! Negotiating Visual Politics at the Centre national de l’audiovisuel in Luxembourg (Françoise Poos)
171
The CNA: A Short Historical Overview
173
Political Debates and Legal Frameworks
176
Reality Sets In: Early Developments
182
Bibliography
186
Dimensions of National Heritage in the USA (Brian I. Daniels)
189
Objects
189
Places
194
Routes
199
Conclusion
203
Bibliography
203
Notes on Contributors
207
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