Art Education in Germany

von: Georg Peez

Waxmann Verlag GmbH, 2015

ISBN: 9783830982654 , 160 Seiten

Format: PDF, OL

Kopierschutz: frei

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Art Education in Germany


 

Contents

5

Art Education “Made in Germany” (Georg Peez)

9

“Glocal” Diversity

9

Educational Federalism in Germany

10

Ties to German-speaking Neighboring Countries

10

The Book’s Structure

11

How Contributions Were Sourced

12

Acknowledgements

12

Historical and Current Concepts. Aspects of Art Education in Germany after 1945 (Marc Fritzsche, Martin Klinkner & Georg Peez)

15

Image Orientation

16

Art Orientation

17

Subject Orientation

17

Art Education in Primary Schools (Constanze Kirchner)

21

Abstract

21

Tasks and Objectives of Art Class

21

Aesthetic Interest and Aesthetic Experience

21

Experiencing Nature and Compensation

22

Visual Design

23

Experiencing Environment and Play

23

Perception and Creativity

25

Media Literacy

25

Experiencing Art

26

Performance Evaluation

27

References

28

Opening Spaces for Opportunities. Staging Materials as an Art Educational Intervention (Petra Kathke)

29

Abstract

29

Setting Materials – A Field for Playing and Practicing

30

Intended Inspiration

31

“Artificial Marking” as a Didactical Impulse

32

Material Staging as an Action Analogous to Art

34

References

34

Open Dialogues in the Art Workshop. Nobody Knows What It Will Turn out to Be (Thomas Heyl)

35

Abstract

35

The Art Studio – A School of Fantasy

36

Multiple Dialogues

37

Room and Space

40

All-day

40

References

41

Integrated Arts and Computer Science Education in Mixed Reality Learning Spaces (Daniela Reimann)

43

Fan Art – Online Youth Aesthetics in the Art Classroom (Jutta Zaremba)

49

Fan Art Sections

49

Fan Art Giant ANIMEXX

50

Continuous Improvement through Tutorials

51

Contests and Comments as Motivation

51

Expertise, Self-Education and Social Communication in the Art Classroom

52

References

54

For a Sociospatial Practice of Art Education (Ulrike Stutz)

57

Abstract

57

Sociospatiality Seen Through Procedural Space Theories

57

Communication Sculptures – Art as a Space-Creating Process

58

Transformative and structural education processes

58

Qualitative Empirical Analysis

60

References

61

Artistic Education Within Art Projects (Carl-Peter Buschkühle)

65

Abstract

65

The Turning Point in German Art Education

65

The Art Project as a Practice of Art Education

66

Elements of Art-Oriented Art Education

68

Goal: Artistic Thinking

70

References

71

Image Orientation and Art Education (Rolf Niehoff)

73

Abstract

73

A Short Review

73

On the Current Cultural Situation

73

The School Subject of Art as the “Subject of Images”

74

What Does “Image Competences” Mean?

74

Summary

77

References

78

Art Class or Image Class? Remarks on Naming a School Subject (Dietrich Grünewald)

79

The Extended Art Space. The Web as a Sphere of Action (Sara Burkhardt)

83

Abstract

83

Reality and Imagination

84

Exposure – Production – Reflection

85

Communication and Cooperation

86

Intersections

88

Outlook

88

References

89

Methods of Evaluation and Grading in Art Class (Georg Peez)

91

Abstract

91

1. Criteria- or Category-Based Evaluation Methods, Frequently Used With Credit and Numerical Scales

91

2. Evaluation Methods Based on Evidence Assessment

93

3. Evaluation Methods Within Progressive and Open Art Classes

94

Conclusion

96

References

97

Color and Space. Two Competing Parameters of Our Perception (Martin Oswald)

101

Abstract

101

The Change of Color Perception Between the Ages of Eleven and Sixteen

102

Explanations of the Visual System

105

Conclusions for Art Education

107

References

107

The Experiment in Art Class (Thomas Michl)

109

Abstract

109

A General Structural Layout of the Experiment

109

Several Didactical Consequences of Experimenting in Art Class

109

Supporting Conditions and Classroom Setting for Experimentation

109

The Planning of Topics and Contents for the Experiment

110

The Importance of the Experimenting Classroom as a Social Setting

111

Classroom Guidance and the Experimental Attitude of the Teacher

112

The Dual Nature of the Experiment

113

References

114

Art Education and Biography (Georg Peez)

115

Abstract

115

Research Questions

115

Results

116

(1) Biographical Aspects: Childhood, Schooldays and Youth

116

(2) The Approach to a Profession in Education and the School

118

(3) Attitudes Towards Art Class

118

(4) The Concepts of Art Education as a Background for Art Educational Practice

120

Conclusion

121

References

121

Play and Language (Johannes Kirschenmann)

125

Abstract

125

Playful Reconstructions

126

Language Educates – As Does Artistic Play

127

References

129

Aesthetic Delight (Michael Parmentier)

131

Play (Gundel Mattenklott)

137

The Road Towards Intercultural/Transcultural Arts Education (Ernst Wagner)

141

BDK – Association for Art Education (Marc Fritzsche & Martin Klinkner)

149

Aims of BDK – Association for Art Education

149

Images for Education

149

Sources

150

Databases and Further Resources. Publications in National and International Contexts

151

Authors

153